Tag Archives: art

time and work

Yesterday I watched a documentary about the Chinese artist/dissident Ai Weiwei. The scenes where he was in Chengdu made me miss China. Not that I was especially happy when I was living in China, but visiting China after my term was done? I loved it.

Maybe I just miss being on vacation. I know from Australia that working five days a week wears me down. After easter I was joking with some of my coworkers about how I could get used to that 3-day work week/4-day weekend cycle. But it wasn’t a joke exactly. I totally wish my job was a (predictable) part time one. Especially here in Campbell River where I do not need to be working as much as I do to pay my rent (as opposed to Vancouver or Sydney).

I mean, I like making enough money I don’t have to put off buying groceries till my paycheque comes in. I don’t want to make less per hour, just work less. Socking money away in a bank account is something I’ll appreciate eventually (when Aileen and I hit the trans-siberian for example), but for now it’s not exactly providing a huge amount of pleasure for me the way lazy long weekends do.

But I have vacation time coming, and I’m taking it in San Francisco. The Jays are playing two games against the Giants the first week of June and I’ll be there. I bought tickets yesterday and had to fight very hard to not spend hundreds of dollars on each one.

I got one seat behind the plate-ish along the home-3rd base line (which is my favourite place to watch a ballgame from even if it is thirty rows further up from where I’d get them at a Goldeyes game), and the other by the Giants bullpen lined up along the 2nd-3rd basepath. I’m hoping Lawrie’s back with the big club and isn’t injured so I can watch him do his thing fairly closely. It’s too bad about Reyes’ ankle injury.

Sometimes I think about my time here in Campbell River being something like my time in Wanzhou. When I do that it feels more manageable. I mean, I couldn’t possibly go to San Francisco for a week or Vancouver for a weekend from Wanzhou. And I made it through those years all right. But I worked a lot less as a mediocre teacher.

Sigh.

That’s my infrequent update on what is happening in my non-reading life. (For my reading life, as always check Librarianaut)

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every prophet in her house

On a boat bobbing we listened to a man talk about the historical significance of all sorts of things around Sydney Harbour. We made fun of some of his inflections (and his accent as us who talk American instead of Australian sometimes do) at he stressed the “really interesting” and “controversial” things he was showing off about the harbour, but he was a pretty good tour guide. We spent the first half of the trip outside on the bow where his voice was a bit more of a background murmur you had to pay attention to hear, which was about perfect. You didn’t feel like you were interrupting if you wanted to talk about something but new information was steadily going on in the background. We learned about Shark Island, which used to be an animal quarantine station, and about the gallows where the colony’s first murderer was hung in a cage for weeks covered in tar, and about how they shipped all the animals to the Taronga Zoo on barges because the former zoo had been in Sydney and the new one

Interestingly, there was barely any mention of any aboriginal history. That’s interesting because places here tend to make more acknowledgement of the traditional lands events happen on. Yes, it’s just lip service and doesn’t change any poor treatment, but now I miss it when someone doesn’t at least make the ritual pronouncement.

We also went to see some contemporary art at a free gallery, which I really enjoyed and had a pancake lunch which I enjoyed at the time but my guts decided to make me regret afterwards. We also met a woman who was selling some sort of medicinal goop and jewellery made from broken plates, and heard her speak at length about different schools of Buddhism (I was wearing my prayer beads but quickly tried to make it clear I’m not actually Buddhist). Holly and I were ready for me to get reprimanded for wearing symbols I didn’t understand, but she didn’t seem too frustrated with us. She kept on making references to toking up in the 60s and decided Holly was a child of those days in spirit.

We also spent some time listening to a pretty excellent busker, Mark Wilkinson. Holly’d heard him while we were talking to the Buddhist woman and wanted to find him and sit and listen. Sadly, there weren’t any free tables at the cafes right there, so we sat on planters to listen. He did an excellent version of Hallelujah but his songs were also good. We got EPs.

I always forget when I’ve been off a bicycle for a while how much I love the bicycle as a transportation method. We rode to Circular Quay through the CBD and even though I cursed at Javier’s bike when it slipped gears on me (oh for my bicycle in its storage locker back in Vancouver) I loved being on a bicycle again. I know Vancouver January biking won’t be this pleasant, but I’m looking forward to it. This morning we were talking about long-distance biking and I would like to do that someday. Do a real trip on a bicycle. Probably not over the rockies, I’m not that hardcore, but maybe heading down the coast a ways would work. I don’t know if my bike would be the best choice, being an urban single-speed, but someday I want to do that.

And the day began with reading Murakami (*contented sigh*) and blueberry muffins. Holly makes them in torn-in-half diet coke cans, because we don’t have muffin tins and because she is awesome and resourceful.

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headphones bobbing silent in the night

The Rocks is the oldest part of Sydney. It’s out on the harbour and filled with old stone buildings from back when the colony was just starting. Now it’s all touristed up because hey, that’s where the cruise ships dock. Obviously that makes it a bit more expensive than you might like for daily shopping needs, but it’s a good special event type place. And a special event is happening there Friday nights for the next couple of weeks.

Last night we went and watched Christa Hughes belt out songs in a square and we danced at a silent disco. The silent disco was under a couple of umbrellas. There was a laptop DJ spinning tunes but instead of heading into loudspeakers they were beamed into wireless headphones. People stood around watching the dancers bob up and down to the sounds in their heads. The headphones hung on clotheslines when you were done so people could move in and out. Holly and I danced for a song then left in the middle of Hey Ya! so that others could enjoy it. It felt so selfish to dance to the music no one else could hear but as part of a project, it’s better. I like how art works sometimes.

We also wandered into an exhibit filled with elastic bands stretched around a room, but the curators/artists were too busy with their own conversation to make it at all accessible. Selah. A guy who made cufflinks out of old watches was my favourite. He had the salesmanship of selling prettied up discards down perfectly. I really wanted to buy a couple of cufflinks but I don’t have the right kind of shirts (though that’s remediable) and I’d already spent a chunk of money on myself earlier (I bought 1Q84 at Australian book prices). They’ll be back next week if I change my mind.

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coming to terms with the lack of internet

Saturday morning I went out to have a cultural day. A free cultural day. Up at the Sydney Opera House (perhaps you’ve heard of it?) there was an indigenous film festival going on with free screenings. The movie I saw was called Here I Am, and’ll be touring Oz over the next while.

The movie was shown in the Playhouse part of the theatre, so not the gigantic part. Actually, I don’t know if there is a gigantic part. All the different shells are separated for than I’d always assumed. It’s not just one big shell that’d have you looking up at the concave version of the icon from the inside.

After the movie I went for a walk through the botanical gardens to find the Art Gallery of NSW. I knew it was in that vicinity but it’s much deeper behind the park than I’d assumed the last time I went looking for it. On Saturday I found it and wandered around. It’s a free gallery which is appreciated (so I could go now without worrying about wasting it before Holly arrives).

The collection was kind of awesome. They’ve got European masters (I looked at one Monet and recognized very few other artist names in that area since I don’t really know that much about Art) and aboriginal stuff and 20th century Australian art. One painting, “The Telephone Box” by John Brack, was from 1954 but could have been 21st century street art; I checked the date a couple of times.

There was also an exhibit by this Japanese photographer who takes pictures of pictures projected onto posing nigh-naked people painted white. It was pretty neat.

But the coolest exhibit was Unguided Tours, which was a bunch of cool video things. Part of one piece used Google Maps to mark out the discarded condoms in a neighbourhood. Another artist created these awesome video pieces out of these gigantic mounds of junk. One basically made a video of outside a jet window flying above a cloudless ocean. But what made it cool is how the video is constructed out of broken chairs and hairbrushes and a vacuum cleaner hose and an unshaded desk-lamp. Very very neat.

It almost made up for still having no internet at the apartment. Our landlord is apologizing and says there was a mixup last Thursday about the address so they can’t get here till this week.

So far the living with a shared kitchen isn’t going too badly. There’s not an Australian in the building though. We’ve got three Chileans, a Colombian, a New Zealander, and Holly and I will represent North America. When I type it out like that it seems like a lot of people. But it doesn’t feel that full.

I got a library card the other day. And went to the little Chinese grocery store where they carry almost all my favourite Chinese brands of juice and snacks (no Shaolin cookies though). And I’m working on a story to submit for the second Machine of Death anthology. And writing letters. Things aren’t too bad.

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near-sighted monkey sighting

One of the perks of being in White River Junction when I am is that Lynda Barry was here for a couple of days doing a workshop with the students. Last night there was a bit of an afterparty with Ms. Barry at the bar which Caitlin and I could go to (we weren’t invited to the workshop, being librarians as opposed to cartoonists).

Lynda’s a very good talker and it’s kind of neat to listen to a person who’s famous talking about her friends and acquaintances who are people who’ve always just been names in books (like Charles Burns, Ira Glass and Matt Groening). People were interested in the gossip, sure, but there was also talk about the notion of language and culture being a part of biological evolution, synchronicity and all sorts of good stuff. She sketched a sleeping dog while she was talking.

I stayed out of it mostly, after a couple of Canada references at the beginning. I mean, the students are the ones who’re there to learn from her, to soak up her methods and whatever. I’m just the librarian intern. Not “just.” It’s actually really fun to have such a specific role in town here. Caitlin introduces me as “her intern from Canada” and yeah. Since I’m here a short time, being pigeon-holed is exactly what I want. It makes interaction easier. I have an in to just sit there and listen to people talk about linework and getting their pages done and I really enjoy it. It’s all so much more interesting than geeking out on tagging or social media or whatever crap I animatedly talk about after school with a couple of beers in me. (Do I talk about library stuff when that happens? Maybe I don’t.)

It was also pretty funny because last night was also 50¢ wings night at the bar, so it was packed (evidently they used to be 25¢ wings and they needed to thin out the crowds a bit by doubling the price) with regular townsfolk, who for the most part are distinguishable from the cartoonists. One of the students was talking about coming out the door and a bunch of guys were driving by yelling “Woo! We’re gonna go fuck some chicks! Fuck’em! Woo!” Those guys were not cartoonists.

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what makes an artist

In the current Webcomics Weekly podcast Scott Kurtz talks about what makes a cartoonist being a unique worldview, not using cartooning to make money by adding static to the internet (plus bearsnatch). It’s a really interesting discussion of shifting big-tent definitions of art. “I worked really hard on this,” Kurtz says, which makes him mad that the Oatmeal guy calls himself a cartoonist. And that the business model is the only part of PvP that his non-fans care about, when he cares so much about the craft of cartooning.

There was stuff about how you learn about the history of what you love, and getting really passionate about the history of your craft. There’re bits about how he felt embarrassed to have to ask who Jack Kirby was and why he was important, and how he has to explain stuff about why Peanuts was so revolutionary.

Man, it was a good discussion. If you care about the intersection of art and business, or working really hard on your skills vs leapfrogging to success, or like to hear a guy say curmudgeonly stuff you might find it interesting.

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fallible machines

First: Tuesday October 26th is the day it’d be awesome if you bought Machine of Death on Amazon. I’ve got a story in it and it’d be wonderful to see this little indie book that could be a bestseller for a day. /endsalespitch

I love finishing assignments, as I can then waste like two days rewarding myself with pleasure reading, which is much more fun than the procrastination reading I’d been doing. Tomorrow I’ll be getting back to work on schoolish stuff.

This afternoon I went to a Librarians Without Borders meeting about developing a library in Kabul. It’s all very interesting and laudable, but it seems a bit over a student group’s head to help with. It’s funny because you want to “fail boldly” and such, but when face to face with a big issue it’s very much “I don’t actually have the capabilities to do anything about that right now.” I suppose you could make it your thing, just throw yourself into it and get to the point that you’d actually be useful, but I certainly don’t feel at that point already. Maybe after I left the meeting the speaker got into some more concrete stuff he wanted out of us. I’ll have to check the notes my co-secretary was taking.

I had to leave early because one of our profs had arranged a tour of an exhibition “Following A Line” at the Contemporary Art Gallery, which was downtown and entailed some busing. It was an interesting exhibition, multimedia and contemporary art-ish. The best part was one exhibit which had two slide projectors running and projecting gelled photos by Agatha Christie on opposite walls. Part of the thing about the piece was supposed to be that you can’t see both pictures at the same time, and how “these cliched images we’ve all seen before” are affected by being shot by Christie (“a notable racist”) and the colour added by the artist. The funny part (and what made it the best) was that the bulb on one of the projectors had burnt out, so as the curator explained about the images she was pointing at a blank wall, saying “Unfortunately today you can’t see these ones at all.” As the machines clacked on.

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forty days till i’m gone over the ocean

Today, after an entertaining couple of hours at the Writers Festival listening to David Mitchell and Katherine Govier talk about their historical novels set in Japan I went looking for shoes and then came home to pretend to work for several hours (and actually work for a couple).

The talk itself was great. Both of them read interesting bits of their novels, and David Mitchell found a continuity error in his. He was funny and halting and tossing in digressionary asides and was generally awesome. He seemed like he was genuinely thinking about the questions being asked, though he had a few funny bits that he’d brought out a few times. Katherine Govier was also interesting, and I think her book The Ghost Brush sounds really good.

I got David Mitchell to sign my copy of number9dream, and told him I felt bad for the copy being so new, since I’d read it as a library book then gone out to buy this one. So it didn’t have the feeling that I’d already read and loved it. He sort of missed the point but I didn’t want to be the fanboy overexplaining myself in the line. Though I was the youngest person in that line by a good 20 years so I was probably the only fanboy regardless.

Some days I don’t know about this whole library thing. Really, all I want to do is read books and tell Holly stories (and if both those things happened in far off lands I would not complain). I mean, seriously, filled with professional ambition I am not. And going to these events and listening to writers talk about their craft, I get very frustrated at myself for going to school to knock over the domino that allows me to maybe get a job some day. But whatever. I like the things I’m learning too. It’s not bad being back in school. It just seems so backwards somehow.

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it’s hard to be invisible sometimes

At Canzine West yesterday, I was quietly sitting in the audience for a reading. The first reader was Anna Swanson, a poet, reading some poems in that cadence that spoken word poets have. It seems easy to parody, but it fit with the things she was reading. She talked about being a fire watcher and how in that job you earn your money by remaining sane while being alone in a fire tower for long periods of time. I really liked her poem “When Women Were Clouds.”

Amber Dawn decided not to just read from her novel, Sub-Rosa, because it sounded too much like she was in space, so instead she brought the microphone out to the audience to ask people why they deserved to call themselves an artist, and what they hoped to get out of being there that day. Sadly for me, I was the first person she came to. I don’t do well with that kind of thing at the best of times. Being put on the spot to say something about something I struggle with anyway (go on, ask me the last time I wrote any fiction; I’ll collapse into a puddle of self-loathing) wasn’t very much fun. I told her I didn’t deserve to call myself an artist and asked her why she was doing this to me. It was probably funny for the others sitting there but also painful and sad. Now, of course, I have an answer but it’s too late. When she was done she thanked everyone for playing along, conveniently overlooking my terrible performance in her game.

Other than that, I had a good time. And then watched a Phillies-Giants game (that wasn’t the pitchers’ duel we’d hoped for but was still damned fine baseball), before heading down to Marlis’ photo exhibition from the 12×12 photo marathon. Holly’s pointed out that it seems like I have quite the social life here, even when I’m ostensibly getting schoolwork done.

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reunited with my books and hats and pictures

So the really fragile piece of art Lynette did for me with my Chinese miner postcards got damaged in the move. It was kind of inevitable really. All that plaster, and only bubble-wrap as protection. It’s one of these things that got damaged taking it to Westgate from my old apartment, so I kind of expected bad things to happen crossing half the country. Three chunks came off, and two of them are findable. I might be able to do some restoration work on it and get it displayable. I have plaster and paint and glue. Or I might do something with the wounds themselves. I’m not sure.

I’ve had a good weekend. I’m pretty much caught up on school so I can go to Winnipeg for Sean’s wedding this weekend without having to bring too much work along with me. I skyped with Holly. I read a book. I went to Word on the Street. I wrote a letter. I made a blog for our SLAIS student chapter of Librarians Without Borders. I drank beers and toured Special Libraries (not in that order).

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