Tag Archives: broken pencil

it’s hard to be invisible sometimes

At Canzine West yesterday, I was quietly sitting in the audience for a reading. The first reader was Anna Swanson, a poet, reading some poems in that cadence that spoken word poets have. It seems easy to parody, but it fit with the things she was reading. She talked about being a fire watcher and how in that job you earn your money by remaining sane while being alone in a fire tower for long periods of time. I really liked her poem “When Women Were Clouds.”

Amber Dawn decided not to just read from her novel, Sub-Rosa, because it sounded too much like she was in space, so instead she brought the microphone out to the audience to ask people why they deserved to call themselves an artist, and what they hoped to get out of being there that day. Sadly for me, I was the first person she came to. I don’t do well with that kind of thing at the best of times. Being put on the spot to say something about something I struggle with anyway (go on, ask me the last time I wrote any fiction; I’ll collapse into a puddle of self-loathing) wasn’t very much fun. I told her I didn’t deserve to call myself an artist and asked her why she was doing this to me. It was probably funny for the others sitting there but also painful and sad. Now, of course, I have an answer but it’s too late. When she was done she thanked everyone for playing along, conveniently overlooking my terrible performance in her game.

Other than that, I had a good time. And then watched a Phillies-Giants game (that wasn’t the pitchers’ duel we’d hoped for but was still damned fine baseball), before heading down to Marlis’ photo exhibition from the 12×12 photo marathon. Holly’s pointed out that it seems like I have quite the social life here, even when I’m ostensibly getting schoolwork done.

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postquake

I went to see after the quake, a play based on two Haruki Murakami short stories from the collection of the same name, with a classmate yesterday. The two stories mashed together were Superfrog Saves Tokyo and Honey Pie (the latter of which is among my favourite Murakami stories). I really liked it. The production got at the internality of Murakami stories by having a narrator and letting the characters narrate themselves. So you got the impression of being told the story more than it being strictly dramatized. The stories were integrated well, with Superfrog being a story Junpei was working on. It all came together in that non-traditional structure that Murakami stories tend to have.

The portrayal of Froggy was very urbane, as Jessie noted, much moreso than you’d get from the story itself. I enjoyed how he was portrayed, introduced in green light, but merging into the narrator as it went on. Frog’s urbanity borrowed a lot from that singing and dancing Looney Tunes frog, I felt. The sets and lights were used really well, and for one small incident the music was Norwegian Wood. I smiled.

Another thing, making me realize I’m in Vancouver, is that I actually recognized actors. Frog/Narrator was played by Alessandro Juliani, the guy who was Gaeta on Battlestar Galactica. I had to look up Hiro Kanagawa to know where I recognized him from and it turns out he’s been in loads of things, including the X-Files many years ago. So that was also kind of neat.

Tomorrow I’m going to volunteer at CanZine West at the Discorder Magazine booth. Maybe go to the Antiquarian Book Fair before that. Fun fun.

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join the fight

This afternoon between downpours I went to the library for a comics making workshop run by John Toone and GMB Chomichuk (which is pronounced completely differently than I would have thought). It was a good time and I wasn’t even the oldest person there (it was billed as being a YA event), not by far. They talked about formatting issues and pitching your ideas in one sentence, about following instructions and how emails are legally admissible in court. There’ll be another session next week and we have homework to do, which I realize I need. I need some sort of deadline to get work done. So tonight I’ve outlined out the arc of the rest of my graphic novel (Animus Lost, the one that Hassie and I did the idea spitballing for however many years ago). The first near-20% is scripted, and now I know where the rest of it is going. Which is more than the homework but once you get working, good work sort of pulls you along. So yeah, good times.

Also, the other day I noticed that Texas Bound (my story published in Broken Pencil) is now online. I’m not saying you’re going to like it, but it’s there.

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maybe i should have some content up

So I got something fun in the mail today. The latest issue of Broken Pencil, the magazine of zine culture and the independent arts. The reason this is extra fun is that I have a story in it. It’s near the back, is very short and is not a real pretty story. It’s called Texas Bound. Mom, you won’t like it. (I like it though.)

I just kind of panicked when it came in the mail because my bio/blurb after the story mentions this here website and I realized I haven’t written anything besides book reviews on here in quite some time. So, if you’re here from Broken Pencil and aren’t really keen on reading all my half-assed book reviews, check out my China posts. They’re probably the best stuff on here since the unpleasantness I’m not supposed to talk about. And I just noticed most of the links are broken on the Journalism page. That’s too bad. But I’ve got a Flickr account and Vagabondscrawl is my linkblog if you care what I’m reading.

Anyway. I had a good day. I have a couple of book reviews that need writing, but I’ll get them up tomorrow. Tonight I have Lego robots to build. On Friday I’ve got the day off and I am totally getting my shit together to take some decent pictures of them.

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in my old kit bag

I’m in a weird non-reading kind of mood these days. It just seems like so much work to arrange the blanket as I sit on the couch and hold up the book and creep a couple of fingers out to turn the pages. Also, the whole latitudinal early darkness is getting to me. Last night I thought it must be like 10 at night when it was 6:20. One would think I’d get used to this place some time.

Tonight I’m putting that aside. It doesn’t matter if it feels like the sun is just about to come up at 10pm, I’ll be heading down to the 1234V Issue 3 launch party. Woo zines!

Also, a story I tentatively sold to Broken Pencil magazine almost a year ago is finally going to be seeing print in the next issue. That’s good. The story seems far shorter than I remember it but whatever. I will be paid for my tale of hobo-molestation. (Yeah, mom, you probably wouldn’t like this story.)

I despair at how shitty my writing output has been this year. I was telling Holly how I feel like 2009 will go down in my books as “The year the condo ate my life.” It’s just that all this stuff gnaws away at your brain all the time, preventing the good cool things inside from working themselves out. I realize there’s a bit of “Oh, when things are perfect I’ll write more” to that statement, which is generally bullshit. A writer doesn’t give a shit. A writer just writes. But I’m just not that strong I guess.

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