Tag Archives: danny michel

and acting tough

I’d never seen Hawksley Workman in concert before last night and now I wonder how different the experience would have been if it had been in Winnipeg or Vancouver as compared to Campbell River. His interstitial ramblings were a bit pointless, but it was more frustrating because people in the audience kept feeling entitled to, not heckle, but to shout things like they were having a conversation, to try and prove how witty they were.

He enjoyed some of them, but it felt like the good ones just encouraged more idiotic things to emerge. In a quiet part in one song one of the high-schoolers in front of me screeched like a dinosaur. When Hawksley said we were a kind audience there were weird knowing laughs and more than one ominous yell of “This is Campbell River!” It didn’t make it sound like CR is known for being kind, is all I’m saying.

encore

But Jebus that man can sing. It’s hard not to compare him (unfavourably) to Danny Michel when he’s telling a story or talking about writing songs or what have you, but when he just wails and howls and falsettos and rides the break in his voice so hard, it’s kind of amazing. He didn’t sing You and the Candles, but I survived.

Tagged , , , , , , ,

unlike the hosts, i don’t have to mention the sponsors

The Winnipeg International Jazz Fest is on right now and I’ve been to a few shows. Not as many as the organizers I know would like, I am sure, but more than I’ve been to in years. Now, when I say Jazz Fest don’t go thinking I’m off listening to Charlie Parker or anything like that. One of the things I like about the Jazz Fest is its non-traditionalness. So on Saturday I went to see some hip hop.

The opening act was a Winnipeg rap group called The Lytics. They were good classic kind of crowd-moving hip hop. The four MCs are all related and they had good flow and stuff. Fine opening act for Buck 65 (who does a much different style of hip hop himself), and one more appreciated by the crowd than the last Buck 65 show I went to where Cadence Weapon was greeted indifferently.

I am a big Buck 65 fan and he didn’t disappoint. His part of the show started with some technical difficulties (in that the laptop holding all his music wasn’t connecting to the sound system) but while people frantically tried to get it back to how it was for their sound check, he told a joke about a talking dog and then did an unaccompanied piece about being the mayor of the world whose life got all flipped over because of a run-in with a sexy sexy mannequin. Great stuff, and then things got working and it was even better.

One of the things I appreciate most about my favourite musical artists is the storytelling aspect to their work. Danny Michel does a great live show because he’s good at making the connection to the audience in between songs. For me, Buck 65′s songs themselves are the connection. He did his hits and he did stuff I’d never heard before and it was great. The loops for Roses and Blue Jays were based on the theme to Twin Peaks, which was awesome.

As always I felt a little like as an audience we let him down. Near the beginning he did this raspy “Winnipeg. Winnipeg. Winnipeg.” into the mic and after a couple of repetitions he had to ask if we knew what he was referencing. I don’t know how to have told him that some of us got it. It was the same thing that happened last time I was at one of his shows when he made a baseball reference and no one got it. He had a woman named Valerie helping him out on some songs and she was good. The crowd really liked her so maybe that makes up for missing the Guy Maddin bit.

Then two nights ago I went to see Deerhoof, who I’d never seen. Deerhoof is hard to explain. They use a lot of weird offbeats and noise combined with poppy nonsense lyrics from their Japanese-accented singer. I really like them and their show was very bouncy. I’m glad I saw them.

Deerhoof’s opening act was Mahogany Frog who were really good. The MC introduced them as “Winnipeg’s Prog Rock Gods” and there was a bit of that Godliness to them. They came on and used their keyboards drums and guitars to make really neat noise for however long their set was. No words, just these mutating sounds. There were a few slight dips in the sound (resembling the ends of songs) where people could applaud but they barely acknowledged that there even was an audience at all. They were creator deities concentrating on making art not on the mere adulation of mortals. It was really cool. And at the end of their set none of the mics were on so no one could hear the bass player thank the crowd (and spoil the illusion).

After Deerhoof, Questlove from the Roots came in for a DJ set. It was funny watching the demographics of the room shift for the after party. I couldn’t afford tickets to see The Roots, so this was as close as I got. He played some good stuff, barely any of which I’d ever heard before. People were having a good time.

Except for this one couple. Oh they were intriguing. They were a guy and a girl, the guy who looked like a bit of an MBA kind of jerk, who looked tipsy and self-satisfied with his cleverness. The woman was much shorter and sharper, very thin with glasses and severe eyebrows. I think I’d seen her before at the last 1234V launch party. The guy was talking to her and she was talking back with periodic looks of disgust. He’d swoop in right next to her ear like he was going to kiss her neck but just talk because it was loud in there. And then she’d talk back, emphasizing her points with jabs of her finger, while he had a “Yeah, whatever” kind of look on his face. Then she’d walk away into the crowd of people and then he’d follow her or she’d come back to say “And another thing…” This continued for at least an hour. I wanted to tell her that arguing with a drunk guy isn’t going to win anything. It was lots of fun to watch though, especially when other guys came along and were doing the “Is this guy bothering you?” bit, because she was pretty hot. She stared those guys down and maybe talked about what a douchebag her boyfriend was being, but refused to stop arguing with him. I bet I wouldn’t have enjoyed it so much if I could have heard them. As it was, they were a nice diversion from watching Questlove do his thing.

Tagged , , , , , , , , , , , , , , , , , , , , ,

seasonal reasoning

This is my fourth day off work in a row, which has been great. In order not to spoil it I’ve been ignoring condo corporation emails, though from the snippets that are visible in my inbox it appears there’s a bunch of sniping going on at our property manager. I have no desire to get in there at all. I’m enjoying the end of my weekend. Tomorrow.

Friday I watched Battlestar Galactica in the morning and then went to get tattooed in the afternoon. I didn’t know I was going to get tattooed. I was fully planning to go down, make an appointment and then wander in the village a little while. But the kid behind the counter asked if I was free, and I was, and so was an artist, and now I’ve got twice as much ink on my arms as I did before. (Still a very small quantity of ink, all told.)

Friday night was a party at Michael’s. I showed up late but had some really interesting conversation. A big conversation about the Mental Healthcare system went on, which isn’t something I know very much about at all. I stayed on the sidelines, acting a bit as an audience, but that’s a role I’m good at filling so yeah.

Saturday was Unrau family Xmas and I saw my cousins and played video games with my once-removed cousins. Oh, they had a karaoke Xbox game, so after people had been mumbling through Christmas carols (and I’d been hiding in the kitchen) for a while, Austin and I closed the singing off with U Can’t Touch This. Done really quite poorly. But it was fun.

The Danny Michel concert on Saturday was super. Danny Michel has actually spoiled me for basically every other live show ever. I want everyone else to be as funny and not taking himself super seriously but also sincere and not stagey as he does his inbetween song bits. The fact that he builds these great soundscapes with his loop pedals and shit is icing. They were recording the show (along with the Friday night edition) for a live CD so he paused to redo lines sometimes. In Tennessee Tobacco he explained that everyone clapping along was probably going to be a problem, recording wise, because he doesn’t actually play in time. I loved the songs where he sat at the piano. My favourite of the evening was his piano version of Valley of Doom, which was sad and dark and a lot creepier without any guitars.

Then off to Sean’s, where we ate burnt ochre velvet cupcakes and stacked chairs and generally had a good time drinking whisky. I may have been the only one drinking whisky. But I didn’t tell anyone off so it counts as a win.

Sunday Kate was in town before heading off to Europe in a couple of weeks and we went for lunch to a Portuguese restaurant, and set up her blog, and then off to my Mom’s for dinner, where Kate was a very good conversationalist. There was a big thing on why/how people make judgments about people, which was a sort of voluble discussion about race. Mom tried to head it off (in an “Agh! Don’t get angry!” kind of way) but the academics kept charging forward, and actually agreeing with each other more than you’d think from the volume. Good times.

And now here I am. I’ve got a book review to write, and Traveller to play this evening. This weekend was pretty much the part of Xmas I was most looking forward to, so I’m glad it met expectations. Go me.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , ,

the happiest man at folk fest

I’m back from the 35th annual Winnipeg Folk Festival, and thankfully I’m sunburnt. It felt like it was actually summer out there today. As opposed to yesterday which was rain and windy the whole live long day.

Even on Friday night before it started raining and was just cold I was getting to the miserable side. I felt some need to “make the most of it” which means staying up until it gets light outside, but it was cold out so I was pretty much tethered to our campfire trying to ignore how cold I was. Yeah I could have just gone to bed and wrapped up in a sleeping bag but then what was the point of being out there (I asked myself)? This was about the time John Forbes gave me the award mentioned in the title of this post.

Since I’d already missed a night and a day of the festival by the time I got out there on Friday I felt the need to pack in as much as I could on Saturday instead of huddling in my tent where it was dry. This plan was fatally flawed because it neglected how fucking cold I would get when soaked to the skin in mid-teens temperature. I was shivering and chattering through Danny Michel’s concert out at the Little Stage on the Prairie and decided that going home, drying out and getting my core body temperature back above 34 degrees was more important than seeing Calexico.

The performers kept on commending the people who toughed it out. “If this was back in Ontario everyone would have gone home by now,” Danny Michel said. “But through that whole song there are two guys playing frisbee! The wind’s like a million kilometres an hour. You haven’t caught one, guys! You’re allowed to give it up!”

But today was sunny and breezy and I enjoyed myself. I think my favourite part of this year’s festival was the fact that since the weather was so shitty I didn’t have to deal with the thought of so many people saying “Best Folk Fest ever!” which is always at odds with my own experience of the weekend. You understand what my problem there is? It’s the idea of being surrounded by thousands of people who’re purporting to have just had the best time of their lives. Which is never something I come home from Folk Fest feeling. And this year I think I have company. Geez. I’m a bit of a dick.

Tagged , , , , , ,

bold statement

Let me start off by saying that I love Dan Bern. He’s got so many excellent songs and so much cleverness and all that stuff. That show last week rocked quite a few of my socks, even those which stayed home.

Danny Michel’s show at the WECC tonight kicked Dan Bern’s show’s ass.

Danny Michel had banter, sang songs I knew, songs I didn’t. He told stories about how a cabbie taught him all about what was wrong with Winnipeg (Toronto cops have been confiscating our weed). He switched guitars with the girl who was his opening act. He swivelled his hips to cut down on his guitar’s buzzing. He played the piano with his foot when he needed to. He covered a Johnny Cash cover sing. He took requests and even sang a number he swore he wouldn’t remember (but he did). He got the crowd to sing him off the stage after his encore. It was the best concert I’ve been to in roughly the age of a racoon.

This is not a knock against Daniel Bernstein; Black Tornado is my favourite song. But Dan Bern should have played like Danny Michel. And if he did, he might be alive.

(As far as I know he is still alive. Don’t worry, Sean.)

Tagged , ,
Follow

Get every new post delivered to your Inbox.

Join 309 other followers