Tag Archives: vampire

book review: let me in

Let Me In by John Ajvide Lindqvist is pretty freakin’ great. It’s a vampire novel… no wait, don’t stop reading. It’s not emo-vampire crap like Twilight or “Vampires are just like regular people but sexy” like True Blood. It’s about a cursed monster and is suitably horrible.

Let Me In is about a vampire that moves into a suburb of Stockholm in 1981. The vampire appears to be a twelve year old girl and she has a guy who appears to be her father who goes out and harvests blood for her (which is tricky because the victim needs to be alive as it’s getting bled out). He’s also a pedophile who’s being manipulated by the vampire’s knowledge of his lusts. The main protagonist is a 12-year-old boy who is their neighbour. He gets bullied and wets himself and dreams of being able to kill his persecutors. There’s also an assortment of drunks who’re trying to figure out what’s going on after one of their friends disappears. They’re like the completely inept and unsuitable Van Helsing squad, in that they behave the way a bunch of losers would.

This (Swedish) book was turned into a (Swedish) movie, Let The Right One In, which is supposed to be scary and great and is how the book came to my attention. They’re also doing an American remake of the movie (called Let Me In) which pleases me not a lot.

I’d hoped to be able to recommend this as an antidote to teens who say they like vampire novels because they read Stephenie Meyer or Darren Shan, but all the pedophilia and graphic disfigurement probably makes it way inappropriate. It’s too bad though because the vampire is suitably monstrous. It reminds you there’s a downside to the whole eternal life deal. Plus there’s some good ol’ redemptive violence to make you feel good at the end.

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book review: the scar

It’s been months since I read China Mieville’s first New Crobuzon book, Perdido Street Station, but I was ready to read another when I found The Scar at a used bookstore. I also got the third in the series at the same time, but I’m going to give it a few weeks to let the awesome sink in.

I really liked The Scar. Perdido Street Station built up a great city in a weird mechanical-scientific-thaumaturgical world, but the story kind of staggered around. This one has fewer viewpoint characters and they’re out of New Crobuzon, out on the high seas. There’s piracy and naval diplomacy and mosquito vampires and regular vampires and a gigantic sea creature and gill-people and it’s pretty awesome. While the goalposts for the story do shift quite a few times it’s integral to the tale and doesn’t feel arbitrary. The titular Scar could have different explanations depending on how far into the story you are. Much like the protagonists you don’t really know where things are going to end up, but it feels almost inevitable when you arrive. Very good work.

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book review: baltimore

Mike Mignola and Christopher Golden’s Baltimore is an illustrated novel about a vampire plague. It’s told by three men who’ve been summoned by Lord Baltimore to a City under siege not by armies but by Evil. They tell stories of Lord Baltimore and about how they were primed to believe in the horrible fantastic things he’d told them. The stories are great ghost story kinds of things. Although now that I think of it there aren’t any ghosts per se. Monster tales then.

The whole thing is dripping with atmosphere and because of the Mignola influence everything in my mind looked blocky and deep-shadowed. The illustrations are small and don’t depict action for the most part, just little scene setting snapshots. Aside from the main characters portraits there are lots of buildings and nails and such, though there is a picture of the climactic monster from each of the tales.

I marvel at writers who tell stories that are so old feeling and still make me want to read them. It doesn’t matter that you know there’s a were-creature, that you really shouldn’t go to the village the locals are scared of, because it’s exactly the story you want. I just read this Clarkesworld magazine interview with a pile of short fiction editors and their stated desire for “something I’ve never seen before” makes me hurt inside. I don’t have innovative visions of anything that’s going to sweep the genre and change the world. I just have a couple of little stories to tell. These editors also want an emotional response which, well, I ain’t so good at. So yes. I suck but Baltimore is very good.

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